Coplans Of Andalusian Love Trans. Guy Lévis Mano GLM 1964 E.O Numbered

Description: .Coplas of Andalusian love.bilingual text, Spanish/French opposite.a translation by Guy Levis Mano.Printer and publisher Guy Lévis Mano [GLM], 1964.one of 500 copies on Marais, justified edition No. 119, paperback 21.7 x 13 cm,45 pp. ; in good condition: a browned cover, with foxing found on the hinge of the notebook inside. united and solid whole.Guy Lévis Mano (1904-1980) French poet, translator, typographer, publisher. He is also known under the pseudonym Jean Garamond. From 1923 to 1974, under the acronym GLM, it was a poetry publisher, renowned in particular for its editions of works illustrated by prestigious artists.Here is a work with a major expression of Cante Flamenco and Cante Jondo, the copla was born in Andalusia towards the end of the 14th century. “On the six gut strings of the guitar, with four lines of words coming from its entrails, the people sing their sorrow. It is a window open to the soul of every man. This is the copla. No poet has been able to express with such intensity and such economy of words the flowers and brambles of passion and despair. There is no artistic intention in the anonymous author of the copla. He sings when he feels like it, complains when he is in pain; he often mixes love with death, rarely with joy. He does not write, he gives his sigh to the wind, and the wind brings it back. Each copla is the drypoint of one of the motifs which are life and the point of being. No nation has given to the poetry of eternity such a set of songs, Here is a work with a major expression of Cante Flamenco and Cante Jondo, the copla was born in Andalusia towards the end of the 14th century. “On the six gut strings of the guitar, with four lines of words coming from its entrails, the people sing their sorrow. It is a window open to the soul of every man. This is the copla. No poet has been able to express with such intensity and such economy of words the flowers and brambles of passion and despair. There is no artistic intention in the anonymous author of the copla. He sings when he feels like it, complains when he is in pain; he often mixes love with death, rarely with joy. He does not write, he gives his sigh to the wind, and the wind brings it back. Each copla is the drypoint of one of the motifs which are life and the point of being

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